The Instrumentality of Music
Identifieur interne : 000314 ( Main/Exploration ); précédent : 000313; suivant : 000315The Instrumentality of Music
Auteurs : Philip Alperson [États-Unis]Source :
- The Journal of Aesthetics and Art Criticism [ 0021-8529 ] ; 2008-01.
English descriptors
- Teeft :
- Absolute music, Aesthetic appreciation, Aesthetic education, Aesthetics, Alperson, Audio files, Authentic performance, Better position, Body ends, British journal, Casals, Certain genres, Clarendon press, Commonsense, Commonsense understanding, Commonsense view, Compositional, Computer program, Concert halls, Cornell university press, Double consciousness, Fine arts, First movement, French horn, Fundamental tone, Genre, Great importance, Greater attention, Harmonic, Historical components, Horn players, Human achievement, Human beings, Immaterial aspect, Instrument, Instrument figure, Instrument maker, Instrument makers, Instrumental music, Instrumental value, Instrumentality, Jerrold levinson, Joseph margolis, Kivy, Large part, Material objects, Maynard ferguson, Musical capabilities, Musical composition, Musical experience, Musical improvisation, Musical instrument, Musical instruments, Musical instruments need, Musical performance, Musical performances, Musical possibilities, Musical practice, Musical practices, Musical production, Musical works, Ontology, Original melody, Other cases, Pablo casals, Particular instrument, Percussion instruments, Performance spaces, Performer, Philip alperson, Philosophical reflections, Physical instrument, Piano keyboard, Pictorial representation, Richard wollheim, Roman ingarden, Software, Software programs, Standard presentation situation, Stephen davies, String players, Such cases, Such instruments, Technical development, Value pluralism, Western music.
Url:
DOI: 10.1111/j.1540-594X.2008.00286.x
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001067
- to stream Istex, to step Curation: 001067
- to stream Istex, to step Checkpoint: 000249
- to stream Main, to step Merge: 000313
- to stream Main, to step Curation: 000314
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The Instrumentality of Music</title><author><name sortKey="Alperson, Philip" sort="Alperson, Philip" uniqKey="Alperson P" first="Philip" last="Alperson">Philip Alperson</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:A2A8C65FC723F3FF5DA66DB1A95C756DDB2BCAD7</idno><date when="2008" year="2008">2008</date><idno type="doi">10.1111/j.1540-594X.2008.00286.x</idno><idno type="url">https://api.istex.fr/document/A2A8C65FC723F3FF5DA66DB1A95C756DDB2BCAD7/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001067</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001067</idno><idno type="wicri:Area/Istex/Curation">001067</idno><idno type="wicri:Area/Istex/Checkpoint">000249</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000249</idno><idno type="wicri:doubleKey">0021-8529:2008:Alperson P:the:instrumentality:of</idno><idno type="wicri:Area/Main/Merge">000313</idno><idno type="wicri:Area/Main/Curation">000314</idno><idno type="wicri:Area/Main/Exploration">000314</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">The Instrumentality of Music</title><author><name sortKey="Alperson, Philip" sort="Alperson, Philip" uniqKey="Alperson P" first="Philip" last="Alperson">Philip Alperson</name><affiliation wicri:level="1"><country wicri:rule="url">États-Unis</country><wicri:regionArea>Department of PhilosophyTemple UniversityPhiladelphia</wicri:regionArea></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">The Journal of Aesthetics and Art Criticism</title><title level="j" type="alt">JOURNAL OF AESTHETICS AND ART CRITICISM</title><idno type="ISSN">0021-8529</idno><idno type="eISSN">1540-6245</idno><imprint><biblScope unit="vol">66</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="37">37</biblScope><biblScope unit="page" to="51">51</biblScope><biblScope unit="page-count">15</biblScope><publisher>Blackwell Publishing Inc</publisher><pubPlace>Malden, USA</pubPlace><date type="published" when="2008-01">2008-01</date></imprint><idno type="ISSN">0021-8529</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0021-8529</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Absolute music</term><term>Aesthetic appreciation</term><term>Aesthetic education</term><term>Aesthetics</term><term>Alperson</term><term>Audio files</term><term>Authentic performance</term><term>Better position</term><term>Body ends</term><term>British journal</term><term>Casals</term><term>Certain genres</term><term>Clarendon press</term><term>Commonsense</term><term>Commonsense understanding</term><term>Commonsense view</term><term>Compositional</term><term>Computer program</term><term>Concert halls</term><term>Cornell university press</term><term>Double consciousness</term><term>Fine arts</term><term>First movement</term><term>French horn</term><term>Fundamental tone</term><term>Genre</term><term>Great importance</term><term>Greater attention</term><term>Harmonic</term><term>Historical components</term><term>Horn players</term><term>Human achievement</term><term>Human beings</term><term>Immaterial aspect</term><term>Instrument</term><term>Instrument figure</term><term>Instrument maker</term><term>Instrument makers</term><term>Instrumental music</term><term>Instrumental value</term><term>Instrumentality</term><term>Jerrold levinson</term><term>Joseph margolis</term><term>Kivy</term><term>Large part</term><term>Material objects</term><term>Maynard ferguson</term><term>Musical capabilities</term><term>Musical composition</term><term>Musical experience</term><term>Musical improvisation</term><term>Musical instrument</term><term>Musical instruments</term><term>Musical instruments need</term><term>Musical performance</term><term>Musical performances</term><term>Musical possibilities</term><term>Musical practice</term><term>Musical practices</term><term>Musical production</term><term>Musical works</term><term>Ontology</term><term>Original melody</term><term>Other cases</term><term>Pablo casals</term><term>Particular instrument</term><term>Percussion instruments</term><term>Performance spaces</term><term>Performer</term><term>Philip alperson</term><term>Philosophical reflections</term><term>Physical instrument</term><term>Piano keyboard</term><term>Pictorial representation</term><term>Richard wollheim</term><term>Roman ingarden</term><term>Software</term><term>Software programs</term><term>Standard presentation situation</term><term>Stephen davies</term><term>String players</term><term>Such cases</term><term>Such instruments</term><term>Technical development</term><term>Value pluralism</term><term>Western music</term></keywords></textClass></profileDesc></teiHeader></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Alperson, Philip" sort="Alperson, Philip" uniqKey="Alperson P" first="Philip" last="Alperson">Philip Alperson</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000314 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000314 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:A2A8C65FC723F3FF5DA66DB1A95C756DDB2BCAD7
|texte= The Instrumentality of Music
}}
| This area was generated with Dilib version V0.6.33. |  |